It has become a contemporary obsession to making music with no matter what. Every object can be used.
The only ones who run the risk of not being alert or attentive enough, are human beings themselves.

A shell? Music.
Crumpled paper? Music.
And these three bottles? Music, music and yet more music: we can caress them, or gently tap their translucent shell, or modulate our breath in their neck like one would with a flute.

By accompanying her trio of bottles with soft electronic music that evokes water, glass and light, the composer Hanna Eimermacher delicately blurs the boundaries between "music" and "sound art".

As is customary in Ictus’s "concerts commentés" at Opéra de Lille, the work will be accompanied by a short explanation and will be played twice.