Timeline

The Belgian sextet Maximalist! was formed in 1983 around Thierry De Mey and Peter Vermeersch. In that same time Anne Teresa De Keermaeker danced her first shows. When Wim Vandekeybus, in 1990, fused together his first two shows (What the Body Does Not Remember, 1987, and Les Porteuses de Mauvaises Nouvelles – The Bringers of Bad News, 1989) into a single entity, The Weight of a Hand, the group expanded and added Georges-Elie Octors as its conductor, and played for a while under the silly name Twelve Belgian Musicians. On the picture : Maximalist! (left to right, Thierry De Mey, Dirk Descheemaeker, Peter Vermeersch and their enormous coldwave eyeglasses).

We have a name ! After a long meeting with Thierry De Mey, his proposal Ictus (found by going through a Music Dictionary) was preferred over Dirk Descheemaeker's (Art et Santé). First concert in Kaaitheater (formerly "Luna Theater") under this new name : works by Peter Vermeersch, Thierry De Mey, Béla Bartók, Anton Webern and György Ligeti. AUDIO link : BARTOK, Sonata for two pianos and percussion

May 94 : our first ROSAS production : KINOK, music by Thierry De Mey and Ludwig van B. Choreography : Anne Teresa De Keersmaeker. "A dance language which, despite its apparent diversity, marks a new phase of the development in De Keersmaeker’s choreographic work: the cautious approach to the classic dance idiom." _ (Rudi Laermans, Marianne Van Kerkhoven) AUDIO link : Kinok

First international performance as a chamber music group : Octobre en Normandie (Laurent Langlois) - a friendship was born. Programme : George Crumb : Celestial Mechanics. On the picture : Georges-Elie Octors in his Motown days.

October 94 : first contact with Toshio Hosokawa A portrait concert in Plateau (today known as "Nadine") with the composer and some excellent traditional Japanese musicians.

What's an Ictus ? A french Music Dictionary proposes this example from La Traviata : we have here ten times a thesis (or beats), but only four times an ictus (marked with a cross)

Our second ROSAS performance. Anne Teresa De Keersmaeker and Thierry De Mey : Amor constante más allá de la muerte, after a poem by Francisco de Quevedo. Love constant beyond Death Perhaps whatever final shadow that the shining day may bring could close my eyes, and this my soul may well be set aflight by time responding to its longing sighs; (...)

[▶︎CLICK TO EXPAND THE TEXT] March : performing Le Gel Par Jeu in Brussels : first contact with Gérard PESSON

June : a portrait concert with Luca Francesconi. A friendship was born. Special guest : Philippe Albéra. AUDIO link : Da Capo

First concert of the Ictus Wind Quintet. Kurtág, Berio, Henze, Francesconi.

At the invitation of Hugo De Greef, first season in Kaaitheater: six thematic concerts. November 95 : Over Ironie (About Irony) and Een Gelaagde Tijd (A foliated time)

First concert with music by Jean-Luc Fafchamps : Melencolia Si ... for two pianos and two percussions.

January 1996 : Concert with Magnus Lindberg - a friendship is born. Corrente, Coyote Blues, Zona, and Gérard Grisey's Talea. AUDIO link : Corrente

March 96 : with James Wood, Parliament of Angels in KVS

Kaaitheater, May 96 : two movements of Viola in my Life, and a first contact with Morton Feldman's inimitable music.

January 97 : first concert of the Clarinet Quintet, founded by Takashi Yamane (now living in Tokyo) Magnus Lindberg, W.A. Mozart AUDIO link : Magnus Lindberg, Clarinet Quintet (CD)

March 97 : With George Benjamin at Kaaitheater during Ars Musica. Antara, At First Light (G.B. : "excellent ensemble, should improve discipline" 😬 he said)

First contact with Helmut Oehring and Iris Ter Schiphorst : Prae-Senz, a tribute to B-A Zimmermann's Présence. PICTURE : Travesty of François Deppe in Présence. AUDIO link : Prae-Senz

[▶︎CLICK TO EXPAND THE TEXT] MAY 1997 : First contact with Emmanuel Nunes. Nachtmusik for ensemble and Einspielung II for solo cello in Les Brigittines, with a lecture by Peter Szendy. PICTURE : Nunes & François Deppe AUDIO link : Nachtmusik recorded in IRCAM

Still in Les Brigittines, May 97, a beautiful concert with the saxophones of the Blindman Kwartet and harpist Frédérique Cambreling : revival of IN C by Terry Riley. AUDIO link : live recording of this evening. That was our first CYPRES CD.

June 97 : first collaboration between IRCAM and the Ictus piano-percussion quartet. Eric De Visscher commissioned a series of new works to Magnus Lindberg (Related Rocks), Philippe Leroux (M), Brice Pauset (Perspectivae Sintagma for solo piano and electronics) + a new version of Michael Jarrell's Rhizome, and a quadraphonic resumption of Karlheinz Stockhausen Kontakte. Hot memories of the IRCAM printers, delivering the Magnus' score in real time. AUDIO link (click on the narrow below) : Related Rocks, later live recording (Avignon, 2000)

Summer holidays in Hungary : meeting with Brian Ferneyhouygh, leading the Szombathely composition workshop. We read some boulezian music composed by a certain François Sarhan, 25 years old.

October 1997 : our 3rd performance with Rosas. A flood of personal stories, great dance moments and a musical mosaic from Brahms to Lindberg via Cage.

December 97, concert with the Arditti Quartet and Rosemary Hardy : Pulse Shadows by Harrison Birtwistle for soprano, quartet and ensemble after Paul Celan

January 1998 : love at first sight with Jonathan Harvey in Brussels. Premiere of Wheel of Emptiness conducted by Alain Franco. That was the first concert with a guitarist scarcely out of adolescence, Tom Pauwels. AUDIO link : our CD Wheel of Emptiness

February 98 : Heroic performance of Philippe Ranallo in the Rosas Performance Space : Yan Maresz, Metallics for trumpet and electronics - first step of a long series of concerts .

First contact with Steve Reich, invited in Brussels by Ars Musica. After two minutes, the composer turned into a mad rage because we did not rent microphones for the rehearsal. Georges-Elie did not answer, but he gave the start for a full version of Tehillim I with furious tempo, without a single mistake. A friendship was born.

April 98, Witten : great first contact with Misato Mochizuki

Public outcry and scandal in Donaueschingen with the Helmut Oehring's REQUIEM for three countertenors, electric guitar and ensemble.

October 98 A fascinating experience with Fabrizio Cassol and Aka Moon : Invisible Mother for ensemble and jazz quartet, with alto saxophone, six instruments, two pianos, a set of tibetan bowls and some ravishing celesta parts ("the ancestor of the Fender Rhodes", Cassol said). AUDIO : follow the link

On January 22, we premiered 'Wheel of Emptiness' at the Kaaitheater (then known as the Luna Theater). Also on the program: a gamelan-inspired piece by Jose Evangelista, 'Clos de vie' (a tender pun on the name Claude Vivier). For the occasion, we hired for the first time a rather talented young guitarist, who didn’t yet know that he would become the ensemble’s director a quarter-century later.

February 1999 Produced by La Monnaie and Kaaitheater, a new version of Ligeti's Aventures staged by Pierre Droulers and Jim Clayburg First (and not last!) collaboration with Peter Rundel, conductor.

MAY, I Said I : our fifth collaboration with Rosas, after a text by Peter Handke (Selbstbezichtigung, Self-accusation) DJ Grazzhoppa, Fabrizio Cassol and Ictus Klaviertrio.

1999, Summer Holiday Seminar and concert in Salzburger Festspiele with Robyn Schulkowsky, who came with two enormous suitcases full of scores, her cactus and her unstoppable laughters. Mission : John Cage

September 1999 Residence and workshop in Royaumont. First contact with Johannes Schöllhorn.

Rolande Van Der Paal in Aventures, ready to flame up.

First performance of Music for Eighteen Musicians by Steve Reich, in Amiens.

in deSingel, with Anssi Karttunen conducting the Flanders Philharmonic : KRAFT by Magnus Lindberg

First Seminar for young composers in the Rosas and P.A.R.T.S building, with guest composers Luca Francesconi and our new friend Fausto Romitelli. Students : Joanna Bailie, Mauro Montalbetti, Janis Petraskevics, Larisa Vrhunc and others.

May 2000 Kaaija Saariaho portrait concert in Kaaistudio's

Augustus 2000 5th production with Anne Teresa De Keersmaeker and Rosas : DRUMMING with live music

Love at first sight with Georges Aperghis and his furious oratorio Die Hamletmaschine after Heiner Müller, a turning point in his long and prolific course. Endless conversations on theater, Beethoven, Deleuze and De Funès. AUDIO LINK : Die Hamletmaschine-Oratorio, the CD

October 2000 Premiere of the complete cycle Professor Bad Trip in Festival Musica, Strasbourg, by and with Fausto Romitelli.

deSingel, October 2000, an essential Heinz Holliger's masterpiece : BEISEIT after Robert Walser for countertenor, accordion, clarinet and double bass. PICTURE : Kai Wessel, countertenor

Exciting collaboration with JAMES WOOD and his choir (New London Chamber Choir). Pièce de résistance : the classical version of Les Noces by Stravinsky (1923), with Jan Michiels and Johan Bossers as 3rd and 4th pianists. James conducted firstly the rough and unfinished 1919 version with pianola, harmonium and two cimbaloms. PICTURE: not ZZ Top, but REX LAWSON, the best pianola player, perhaps the only one. LINK: audio take

February 2001, Kaaitheater. A entire Wolfgang Rihm evening - our first contact with his music : CHIFFRES, a long cycle in ten movements, alternating chamber and ensemble pieces.

In the Rosas and P.A.R.T.S studios, second seminar for young composers, coached by Jonathan Harvey and Thierry De Mey. Among students : Paul Craenen, with whom we have not lost touch. PICTURE: Paul Craenen (center)

Summer holidays in Salzburg. Function of music is to abolish time, Ligeti said. This is exactly what we did in the Salzburg Kollegienkirche, exploding standards with a 130 minutes version of Terry Riley's IN C (unintentionally). (It is now time to apologize to Arnold Schoenberg Choir, who waited backstage for more than one hour to continue the concert.)

Kaaitheater, September 2001. First contact with RICCARDO NOVA: the superb DRONES fro trumpet, guitar, three percussions and strings. AUDIO LINK on Soundcloud Nova's page : one of the many Drones remix (when Riccardo is not composing, he is seen remixing).

PICTURE : Matthew Shlomowitz, at work with Jonathan Harvey

Januray 2002, Amsterdam : Premiere of RAIN LIVE, one of the Anne Teresa De Keersmaeker masterworks after Music for eighteen musicians by Steve Reich. The 6th Rosas-Ictus tour.

May 2002 Tom Waits & Kurt Weill face to face, in new arrangements by Jean-Luc Fafchamps, Fabian Fiorini, François Deppe. Premiere in Brugge, with bluesman Kris Dane and the impeccably Brechtian mezzosoprano Maria Husmann. Later: long long tour with Kris and Judith Vindevogel (impeccably vindevogelian). LINK: the project page PICTURE : MARIA in Reims

June 2002 Seminar for young composers, Edition 3, with Salvatore Sciarrino, and Portrait Concert in Kaaitheater and deSingel We released our first and last t-shirt for the occasion (PICTURE). On the shirt, this phrase by Santa Maria Maddalena dei Pazzi : Esso spirito infondente nell'anima vien con silentio cantando. LINK: the final concert

[▶︎CLICK TO EXPAND THE TEXT] October 2002 Our second production with Georges Aperghis : Paysage Sous Surveillance after Heiner Müller, with two actors outside the norm : Johanne Saunier and Jos Houben Everything here is double, specular, mimetic, including the musicians (two clarinets, two cellos, two DX7 synthesizers). LINK : the project page

March 2003 : nine years old ! Instead of a concert at Pompei (as requested by Alexandre Fostier), we asked ten composers to write original musics on dance films directed by Thierry De Mey and choreographed by Anne Teresa De Keersmaeker. Composers : Luca Francesconi (I), Jonathan Harvey (GB), Toshio Hosokawa (J), Magnus Lindberg (FIN), Steve Reich (USA), Thierry De Mey (B), Stefan Van Eycken (B), Georges Aperghis (F), Robin de Raef (NL), Fausto Romitelli (I). PICTURE: Fumiyo Ikeda in Green, Yellow and Blue, music by Fausto Romitelli

April 2003, allez hop!, new Seminar for young composers in the Rosas and P.A.R.T.S studios. Teachers : Georges Aperghis and Johannes Schöllhorn, and of course, clear "music-theatre" tendencies. Student composers were : Benjamin LANG (Germany) Igal MYRTENBAUM (Israel) Marianthi PAPALEXANDRI (Greece) Evis SAMMOUTIS (Cyprus) Chao-Ming TUNG (Taiwan) PICTURE : Portrait Of Georges With Rose

Octobre 2003 : First contact with Philippe Manoury, composer Alain Planès, pianist, Yoshi Oïda, director : LA FRONTIERE, chamber opera with live electronics

In Cergy-Pontoise, October 2003 : premiere of the ultimate Fausto Romitelli's piece, his masterwork An Index of Metals, with video and electronics by Paolo Pachini. Wat een tijd ! Fausto was in the hospital at the time, and dictated to Paolo or Marc Texier, by phone, instructions for the Coda. François ran through the corridors shouting "Ô Beauty ! Beauty ! Beauty !". We sent home a certain famous italian sound engineer, because he refused to amplify acoustic instruments. Video crash. Computer crash. Et cetera. Time was out of joint. LINK PICTURE: Cergy-Pontoise mon amour

March 2004: a double concert Berio/Bach in Cité de la Musique, Paris, with Collegium Vocale Gent. LINK : a not-so-bad version of Luciano Berio's Linea, for 2 pianos, marimba, vibraphone

[▶︎CLICK TO EXPAND THE TEXT] September 2004 Opening Traiettorie Festival, Parma, at the extraordinary Teatro Farnese with - inter alia - two pieces by Fausto Romitelli, who had recently died. PICTURE: the Farnese theater

October 2004, Opéra de Lille : ALTER FACE for two pianos (premiere) by Georges Aperghis Concert with commentary by the composer

November 2004, Opéra de Lille AVIS DE TEMPETE by Georges Aperghis and Peter Szendy after Herman Melville's Moby Dick (mainly) + Franz Kafka, Charles Baudelaire, Victor Hugo... A unforgettable adventure with Donatienne Michel-Dansac, Johanne Saunier, Lionel Peintre and Romain Bischoff. LINK: the project page with more pictures PICTURE: Philippe Ranallo, Lionel Peintre

January 2005 Opéra de Lille : our first "Marathon", four hours of american and english music in different places. Special guest : Gavin Bryars conducting his "Jesus Blood"

After midnight, Jean-Luc Fafchamps played Morton Feldman's Triadic Memories in the Foyer...

September 2005, Strabourg, Musica Festival, with Jan Michiels as guest soloist : the long, strong and non-standard work by Marc Monnet for solo piano, 19 instruments (including 2nd piano) and electronics, Bosse, Crâne Rasé, Nez Crochu. PICTURE : Jan Michiels

First contact with a 26 years old belgian composer, Cédric Dambrain and his extraordinarily fresh work for cello and electronics, PURE - performed by François Deppe in Bozar. Some time later, Cédric will become our first "Fellow composer" together with Oscar Bianchi. LINK : PURE on Soundcloud PICTURE : The Cédric's multi-control interface for electronic performances (2014)

Thanks to Bozar & Ars Musica 2006, our first jumbo project with our pianist Jean-Luc Fafchamps, here as composer, who has found a new way to connect his pieces through the symbolic network of sufi letters. Orchestre de Lille, Peter Rundel, Jan Michiels again, and our oboe-hero Piet Van Bockstal (on the picture).

[▶︎CLICK TO EXPAND THE TEXT] March 2006, MaerzMuzik, Berlin : In a strange scenography made of neon tubes, premiere of the "Water" tryptich by Misato Mochizuki : 4D, Wise Water, Etheric Blueprint, partially inspired by the book Water knows the answers by Japanese scientist Masaru Emoto LINK : Wise Water live, (excerpt), on SoundCloud

TO BE CONTINUED Come again later !