Parini Secondo and Bienoise focus on the sound produced by rope skipping, dissecting its timbral possibilities.
The jumpers on stage perform a rhythmic and at the same time choreographic score in which “single-unders”, “side-swings” and “double-unders” are both athletic and musical elements: combined with voice and synthetic sounds, they harmonize into a true HIT.

HIT elevates the intimate practice of training into a performative action: the hammering succession of rope strokes is an echo of rebellion against those forces that would have us lying motionless on the ground with our eyes closed.